I understand what you guys are saying about Tomboy, because that's the overwhelming opinion on the track I found while researching this. Hey guys, thanks for the positive comments, that's really cool. Sorry if all this came off as an attack :\ the tracks you've fixed up sound really good, I just think these few things, particularly the "Tomboy" issue, are worth bringing up. The edit may have made sense on the Landlocked reconstruction, but here, it may have not been necessary. "Games Two Can Play" is also the Adult/Child mix of the song, not the Landlocked mix. A speed corrected version of that mix, if it is indeed the original mix, would have probably been better or at least more consistent with the other Adult/Child tracks here sourced from the Good Vibes box.įinally, I know you edited it for the Landlocked upload, but the Good Vibes box set edit and mix of "H.E.L.P" is also the Adult/Child version, meaning the edit was likely not supposed to appear on the Adult/Child album. I believe (but am not certain) the Good Vibrations box set mix was the mix intended for the Adult/Child album, but at the wrong speed. The Made In California mix of "It's Over Now" is an alternate from '78. Also, if someone uses your A/C mix for their discography, it kind of presents an unnecessary redundancy in using the same version two albums in a row. Using the Adult/Child version probably would have been best. The later revised MIU mix came to exist after Adult/Child and is fairly different. The "early version" of "Tomboy" isn't a rough mix or anything, it's the finished version that was to appear on Adult/Child. Wonderfully alongside the officially-released tracks. Lack bottom end and some highs but the mids were intact (unlike the Landlocked That the commonly bootlegged version-from a sometimes droppy cassette-seemed to Remixing roughly half of the album since seven of the tracks were never officially The loudest points in the album (“Shortenin’ Bread” for instance) this could be fixed. Once we set certain album-peaks which featured Seemed to already have their own unique volume as they all came from vividlyĭifferent sources. Within the realm of volume adjustments, as each song implied a different Well-sequenced album as a whole and we are lucky to know what Brian’s intended track Songs on Adult/Child aren’t necessarily A material in quality, it is an extremely My reconstruction is rather straight forward as, while the Tomboy”, which featured a new set of overdubs. The album was essentially replaced by the MIUĪlbum, headed up by Mike Love, and the sole Adult/Child survivor was “Hey Little Unfortunately the album was canned by Reprise Records as not beingĬommercially viable, although the long-running rumor was that half of the Beachīoys camp conveniently disliked the big band sound of Adult/Child anyways. Recently tackled) and “Games Two Can Play”. “HELP is On The Way” (which was promised but ultimately forsaken on Landlocked, a reconstruction I just The arrangements emulated the 1976 album 15 Big Ones, which had a decidedly Sinatra-esqueĬompositions, Brian also dusted off a few outtakes from earlier in the decade, including Only presume that the “Adult/Child” is Brian Wilson himself. Was allegedly culled from Brian’s psychologist Eugene Landry, in which we can Physical health) at the time in 1976-1977. Following a rush of confidence after completing Love You nearlyīy himself, Brian Wilson continued work on a follow-up entitled Adult/Child,Īnother set of songs unabashedly autobiographical about his state of mind (and
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